Shoved Riffs & Being Over-Inspired

Hey guys,

You know that time of the day when you hear a little something in your head that seems to be suiting as a begin of a song or a continuation of an already-started piece? You get that extra super-energized excitement and you feel like you've achieved John Petrucci levels?

Be warned that in such cases there's a good chance you're being tricked by our own adrenaline, and blinded by your excitement.

I find that lots of times when I am SUPER-PERKY-STYLE psyched about a part, it's not exactly what I think it sounds like. This is evident when I show a recording of the idea to someone and they go like "Ummm...yea, it's alright!"; hearing words like that feels like an avalanche of despair and a heart-breaking moment that'll take you a few days of rerunning the conversation in your mind to believe if it's the truth or not. It can't be true, or can it?

Here's what I think happens: a lot of times when we try to copy certain things or translate certain ideas we're hearing in our minds they sound a lot like the other side of the spectrum, rather. This, however, is not always a bad thing at all. Here's why:

Sometimes we hear a song or a section that inspires us to write something or go in a certain direction musically and the fact that our newly created part doesn't sound spot on to what we had intended may very well cause the creation of something completely original. I find that a lot of times when we are "inspired" that inspiration is borrowed from something we've seen, heard, experienced, etc. Creating something remotely far from what we had intended brings out that inner genius.

So as we can see, there is a caution in being over-inspired in the sense that we tend to create things that are pretty far off from what we're hearing in our minds; however, there are moments where we find that a certain genius is born from such events.

A very contrasting and confusing post!

Hadi

BENEVOLENT: TWO YEARS OF ALBUM CREATION (PART ONE)

December 2010: 

Psyched as F*** from Divided EP's reviews, reviews, reviews, and feedback / resulting in early demoing for the upcoming material.

February 2011: 

The song "THE 2011" is born with the main intro riff. Listened to lots of djent bands here so that's been an influence.

March 2011: 

"The USB riff" becomes the new song of focus; also heavily influenced by the djent bands I was listening to then. Sadly this song wasn't completed but didn't make the cut. Check out a half demo of it here!

May 2011: 

At this point the song "The 2011" is in the finishing phases of the writing process and being scheduled for tracking and release in the summer of 2011, hence the name! At this point I had been working heavily on generating other ideas but lightly because I prefer to finish the song at hand before moving on to other ones. I guess that's what happened with "The USB Riff" I just hopped into other things and never got around to finishing it, and I haven't "felt" it since then!

July 2011: 

Tracking "The 2011" takes place at Sarj's studio. We spent quite a bit of time tracking this one since it's got a set of really challenging riffs with specific picking patterns. At this point the working date for the new record's release started popping into mind heavily and whilst working on finishing "The 2011" we began to define a blueprint for the record. This was done in close consultation with Sarj as well! He's kind of like the band's babysitter in a sense.

September 2011: 

Benevolent signs to Spellbind Records. Can I get a hell yea?

Most definitely one of those proud moments for us as a band and myself personally, being on the same record as metal icons Nervecell is a true honor!

At this point "The 2011" was finished but due to so much going on at that moment we were taken away from focusing on the finalizing of this song and decided to let it hang as the album's picture starts to come more clearly into play.

At this point I began working on a song which I finished rather quickly, this was "Nice Introer"; to me this song is kind of like a Dream Theater meets Scar Symmetry with a nice acoustic topping here and there! I would say it's one of the best intros from the songs on the album!

October 2011: 

I started to toy up with two songs back to back at this point, and with working titles of "Paid to Rest" and "Sacramento" you guys can take a wild guess what I was listening to heavily then (Lamb of God FTW). The songs were demoed at my studio and finalized, however, they didn't make the final cut because I felt that they stood out distinctively from the rest, had a much too different feel about them, and I found myself losing interest in fixing them while rather just wanting to move on to fresh and new songs. Those songs were on the main picks of songs to track for the record's final product up until March 2012 (see in PART TWO!)

November 2011: 

Benevolent debut gig in Dubai at Metal Asylum Festival 2011 marking the band's first show in the UAE. We had a blast performing alongside the bands such as Zygnema, Firezone, and the rest!

I remember waking up at 8 am after sleeping at 5 am post the gig, really wired up from the show's energy, grabbed my laptop and started writing what later became the song "OBOBOBZEN"

At the point I was also grappling with a song named "EPIC2", which never got finished but I got a feeling this one will be making an appearance on future Benevolent releases. I remember recording a few ideas with my homie Khalid Al Mansour while we were bored and lonely in Dubai, waiting for rehearsal time.

Early December 2011: 

Demo recording of "OBOBOBZEN" comes to life. This was a turning point for the album's creation; it was the begin of the shift in tuning for the entire (well, most of the) album. I tuned down to E D A D G B E for a maximum sinister feeling when playing guitar.

Unfortunately, "OBOBOBZEN" sounded far too rushed and rather immature as a song, so it was scrapped, however, I feel this one song's presence in the process is key in this album's essence because it paved the way for the upcoming tracks, which in my opinion have made this album!

STAY TUNED FOR PART TWO!

A Musician's Canvas: Translate Your Inspiration Into Sound

I was having a conversation with a friend just today about that "blue" feeling you get when the creativity bulb gets lit up and how having a working "canvas" can get you in a position of power in a sense, it allows you to tap into that creative feeling in a way to utilize it and get ideas out in a productive form. I like to think of this as a translation process where you hop on the same wavelength as your inspiration and start to decode that "blue" feeling into riffs and song ideas. 

I've already covered inspiration with a previous post, and though it's hard to explain such a dynamic thing as inspiration into words, I would highly recommend exploring what triggers your inspiration and gets you going so the process of being inspired can become a somewhat manually-induced. Do check out my previous post here  which covers my approach to inspiration.

Back to the idea of a canvas;

I can't stress enough on the importance of creating/setting up a working "realm" for you to be able to easily walk into and hammer out your inspiration into auditory lines.

Some of you may have faced issues that made you feel you can't get yourself to write songs or music and this may very well be the byproduct of not having that comfortable working space to let it out.

I, personally, have found myself on a whole different level of musical productivity once I had a small home studio setup where the only thing standing between me translating my inspiration into recordings was just plugging in my guitar. The reality of that is not the fact that I couldn't write as much songs as a musician as much as it is the fact that having that setup on my computer where I can, not only record ideas, but also expand that possibility into writing complete songs and thus allowing me to make quick decisions about riffs that come up because I'm writing songs each and every time I pick up the guitar and jam. And in turn, making full utilization of being inspired.

Signing out!

Hadi