[PRESS RELEASE] BENEVOLENT & IGNITE AMPS ANNOUNCE SIGNATURE CUSTOM PEDAL & ENDORSEMENT DEAL

January 15, 2013: UAE-based extreme experimental metal band BENEVOLENT and Italian amp makers IGNITE AMPS have announced their collaboration through a signature custom drive pedal geared towards the band's sound. The pedal, dubbed as the TYRANT SCREAMER (TSB-1) features a Tube Screamer-type circuitry with extra features that works towards Benevolent's guitar tone identity.

Carlo Costabile, Ignite Amps Co-Founder & Managing Partner, said "We're really proud of our Tyrant Screamer. It has all the characteristics of the classic overdrive, an extended gain excursion and our exclusive "sweep" control which gives the user total control on how the pedal interacts with his guitar and playing style. This feature is especially useful for bands using very low tuning, because it helps to cut through the mix in both live and studio situations."

"We're also psyched to work for a band from Dubai as we never did before, but we know their scene is killer! This is especially the case since the band in question is Benevolent, a bunch of fun-loving guys that also happen to know their business real well when they step on stage. We're looking forward to work with Benevolent again, the collaboration has been awesome and we're already discussing new ideas for upcoming gear."

Benevolent is now an officially endorsed artist by the Italian company and this partnership will feature more innovative products of this kind in the future. Hadi Sarieddine, founder/guitarist/co-vocalist of Benevolent, states "it's extremely exciting for us that we're doing this, I've used Ignite Amps' products digitally for a while now and it's just overwhelmingly awesome to be receiving a signature custom pedal from such a professional company. I feel that this partnership is going to yield in many great things.”

"The Ignite Amps team has been great, they have been a true pleasure to work with since the get-go and they've put in all the necessary to make this happen. We're all really psyched about this right now!"

The Italian company was brought to life in 2006 by Federico Berti and Carlo Costabile, two musicians who wanted to build the gear that they needed. The company's products caught the interest of professional musicians from around the globe. Ignite Amps provides both physical products and computer-based plugins. The company's primary goal is to provide musicians with instruments that perfectly fit their needs and is geared more towards custom products.

In discussing the experience behind the build process and working with Ignite Amps, Mohammed Gad (Benevolent's guitarist) stated "At first we communicated with Ignite Amps regarding what we were looking for, they then designed the pedal and built a computer plugin version of it for us to try. We used the plugin version for testing and adjustments. The actual physical pedal was built based upon that and the final product sounds EXACTLY the same as the plugin. The physical build quality is unbelievable, we cannot be happier! The pedal packs tons of gain and has a very wide range of dynamics that give us the exact set of tools to shape our guitar tones."

He added, "It means a lot to us to be working with a reputable and international company that makes products that we are out there searching for, especially when the team behind the company shares the passion that we have for the band and the music, this is amazing!"

Federico Berti, Ignite Amps’ Co-Founder & Managing Partner, stated "Working with open-minded musicians, like the Benevolent guys, is always a breeze. They know exactly what they want and they're used to digital home recording, which is very important for us. We followed our usual workflow: designing the analog circuit and then implementing a simulation of it in VST/AU format, capable of running in real time on any modern computer. We sent the software to them and then further revised the circuit according to their feedback and requests. We love to use this approach, as it reduces the prototyping costs and musicians can hear how their custom gear will sound before we even start the actual build. I guess I can safely say that we're the only amp brand in the world offering this kind of service."

The pedal will be available for purchase directly from Ignite Amps. The VST/AU plugin version of the pedal will be available for FREE DOWNLOAD from Ignite Amps official website (www.igniteamps.com) through the course of February. To stay up to date on the release of the plugin, give Ignite Amps a LIKE on Facebook on http://www.facebook.com/IgniteAmps

Benevolent is currently working on their much anticipated follow up to their debut release, the upcoming album features ANDOLS HERRICK (formerly of Chimaira) who has recorded drums on the entire record.

To stay in touch with Benevolent's news and updates, check out their Facebook page at http://www.facebook.com/benevolent.band and their YouTube channel on http//www.youtube.com/user/benevolentband

YOU CAN ALSO GRAB A FREE DOWNLOAD OF BENEVOLENT'S DEBUT ALBUM "DIVIDED EP" AT http://benevolent.bandcamp.com

- ENDS -

Benevolent Purgatory Polymetrics Video Guitar Lesson

Hello everyone!

First of all, I'd like to wish you a belated Happy New Year. And with this new year we come to you with a cool lesson video covering one of the complex riffs on the album DIVIDED EP, it comes from the song PURGATORY.

This is a riff in 5/8 running over a 4/4 beat, lots of fun playing the riff because it falls under a cool drum beat and the polymeters in there create a pretty interesting groove.

Check out the video on the link below and leave your thoughts in the comments section:

Don't forget to LIKE Benevolent on FACEBOOK, and SUBSCRIBE to our YouTube channel to keep up with the videos that we're posting.

Hope you enjoy the video.

Hadi

The Gulf Bike Fest Experience

Hello everyone!

It's been an absolutely great month for us, on October 18th 2012 we performed live at the Live & Local stage at Gulf Bike Week festival which was HEADLINED BY MEGADETH!

As soon as we were confirmed for the gig the preparation and planning began!

Prasad and Gad's tickets to come down to Dubai were in place, hotels booked, rehearsal space arranged, and we were ready to get to it!

During the weeks leading up to the show, and seeing as we're in different countries, each member of the band prepared for our setlist from the comfort of their own home playing along to the studio recordings of Divided EP (WHICH YOU CAN STILL DOWNLOAD FOR FREE BY CLICK HERE). Also, we decided to play a cover song this time around; the choice was Nemesis by Arch Enemy. So, we all basically just hammered it out in our own space until we got together as a band to rehearse and get it working together.

We had a great time, the guys flew in a couple of hours before the rehearsal was scheduled so we got to have a quick meal and did some fast catching up right before rehearsal time came about. Right after finishing up the rehearsal we packed our gear and went straight to the Gulf Bike Festival venue for setup and soundcheck. It was great that we got to do that at night, we didn't feel like we were racing against the clock to make it in time before people start walking in!

Sound was great! We could hear each other clearly on stage, and the house mix to the crowd was pretty killer too!

Show day came and we were all feeling great! (I am usually the one getting super nervous before a show, but for this one I felt a lot calmer than usual). Unfortunately, a lot of times you get caught up worrying about the sound being right and over-thinking every note that you're about to hit on the guitar; however, this time around I had a serious conversation with myself and convinced me to just enjoy that time on stage, and enjoy the entire day. We were playing the Gulf Bike Festival, at Dubai Festival City, and Megadeth was the headlining act; that's a bunch of awesome things happening and nothing ever beats that feeling of being on stage and sharing your music with a live audience and feeling their reaction to your music as it happens. It worked out! I enjoyed it and had an absolute BLAST! (I guess I can be pretty convincing)

We had a great time at the show, we met some awesome people and made some new friends! I wanna thank Ryan Noronha for being the awesome person that he is and of course none other than Barney Ribeiro for being absolutely epic, booking the show and making this all happen! You guys are awesome!

[IF YOU WOULD LIKE TO BOOK BENEVOLENT FOR A CONCERT / TOUR CONTACT OUR BOOKING AGENT BARNEY RIBEIRO AT AAR@SPELLBINDRECORDS.COM]

After the show, we grabbed a few beers, celebrated, and then had a great time seeing our good friends Absolace and then the headliners MEGADETH kill it! (Unfortunately, we missed Sandwash's set because we were packing our gear and what not!)

We've got a few more exciting things coming up so STAY TUNED!

HINT: News about our epic work with IGNITE AMPS and some more juicy stuff is coming!

Thank you for reading!
Hadi

Benevolent Performing on Same Day as Megadeth in Dubai! ZOMGWTFBBQ!

Hello everyone!!!!

This post carries with it some REALLY special news! We have been confirmed for GULF BIKE WEEK 2012 and will be performing LIVE at the Live & Local Stage on October 18th, which is the same day that MEGADETH are performing!

Check out our profile on the official Gulf Bike Week website HERE

This is pretty effing crazy! We are really psyched and we absolutely CAN'T WAIT for it to go down.

This is me stopping by real quick to share the news with you all. I'll be back in a few days with more posts relating to this.

Don't forget to check out our two VLOG videos from our previous show out here in Dubai:

HELL FREAKING YES!

Speak soon!
Hadi

NEW BENEVOLENT LOGO / EMBLEM

Hey guys!

So we got some REALLY exciting things coming from the Benevolent camp in Dubai, we'll be revealing things one at a time as they come to life. The first cool thing to share with you guys is our new band Logo and Emblem.

HAVE A LOOK

The Emblem (circular thingy) has more to it than just being the sexy design that it is. The circles and rectangles that are spread around the main circle basically represent letters in Morse Code. The letters spell out the word "Benevolent", how cool is that?

Check out the breakdown of the letters below:

B: _ . . .
E: .
N: _ .
E: .
V: . . . _
O: _ _ _ 
L: . _ . .
E: .
N: _ . 
T: _

We are toying around with this whole Morse Code thing on a couple of more things which we'll be sharing with the coming of our upcoming album (featuring ANDOLS HERRICK on the drums).

Stay tuned for some more updates on our cool new toys coming in from IGNITE AMPS in Italy and more REALLY awesome things.

ALSO, DON'T FORGET TO GIVE US A LIKE ON FACEBOOK

We are psyched as hell!

Hadi

Line 6 POD HD500 Warm Clean Tone

Hey guys!

So I spent the night toying with my Line 6 POD HD500 in pursuit of a warm clean tone (something along the lines of what Opeth were beautifully tormenting our senses with on their album Damnation).

I plugged the POD right into my MacBook Pro via USB, opened up the POD HD500 Edit software (which is a ridiculously simple and comfortable way to craft your tones, it's just fascinating). I tried a few amps looking for the texture I was looking for and the Hiwatt amp model immediately felt like home.

I got a nice clean and round tone with just about everything at flat settings on the Hiwatt amp model, with the default cab/mic settings as well. From there on I basically started toying around with different compressors before the amp to give the roundedness a warm attack and definition. That worked out well! I ended up adding another compressor after the amp in the signal chain to in-turn give stronger definition to the "processed" tone coming out of the amp.

To emphasize depth and give the tone a certain liquidity, I added a chorus pedal (this was placed as the compressor following the amp in the signal chain). When I add those chorus pedals to tones that don't require that extra wobbly tone, I just set the mix down to a very minimum level where the listener may not necessarily hear that the chorus effect is in there BUT it's adding to the tone's richness and liquifying it.

Last but not least, the cherry on the cake: the Ping Pong Delay pedal. I dropped the Mix to about 30% and gave the Feedback a notch up. AND VOILA!

Give it a listen and make sure you DOWNLOAD THE TONE if you own a POD HD500.

Best!
Hadi

Currently Heavily Listening To

Hey gang!

Things have been quite busy as of late with finishing up the Benevolent album, we're really taking our time in brushing it all out and getting the final vocal and guitar solo tracks on there; it's sounding pretty intense!

In the midst of all of that I thought I'd share what I've been listening to heavily, don't be shy to share what YOU have been playing a lot of in the comments section below:

1. Meshuggah - Koloss
2. Lamb of God - Sacrament
3. Arch Enemy - Doomsday Machine
4. Chimaira - Resurrection
5. Deftones - Diamond Eyes
6. Katatonia - Night is the New Day (I actually haven't checked out the new record yet!)
7. Transatlantic - Whirlwind
8. Metallica - Death Magnetic
9. Scar Symmetry - Pitch Black Progress
10. Slash - Slash (I haven't checked out the new album yet as well, for shame!)
11. Within Temptation - The Unforgiving

Looking at it now, it's an intensely diverse list! I enjoy any and all good music so that's as far as my appreciation for any band's work goes and even a lot of it ends up inspiring me to do new things and explore new sonic possibilities!

What have you been listening to? What new bands have you been checking out?

Talk soon!

Hadi

New YouTube layouts! BOOM!

Hey guys!

So I designed new YouTube backgrounds/rearranged and updates the pages for both my personal channel and Benevolent's YouTube channel.

Czech it awt!
Hadi

New Orchestral Piece - TSHECK IT!

Hey guys,

Check out my new orchestral piece! This one is based on a filmscore type theme (inspired by the work of Hans Zimmer)...probably for an eerie scene that builds up into something epic.

Why is it called Misunderstood? Well, the contrast between the minor, major, and augmented feel in the main chords that roll through the whole song led to that title. Picture a character in a slow motion scene where it portrays him going through a confused state of mind...a righteous / sinister contrast...or even better a benevolent / malevolent contrast...JUST SO I CAN SHAMEFULLY PLUG MY BAND'S NAME [BENEVOLENT] INTO THE DESCRIPTION.

Enough senseless blabber, check it out!

Enjoy and let me know how you like it in the comments section.

Best,
Hadi

Snapshot of ANDOLS HERRICK tracking drums for the BENEVOLENT album

Title says it all!

GET PSYCHED!

Hadi

AMT B-1 through Ignite Amps TPA-1

Hey guys!


Here's a new test! AMT Electronics' B-1 through the TPA-1 by Ignite Amps (It is an upcoming Tube Power Amp plugin that I'm beta testing)

Cheers
Hadi

AMT Electronics P-1 and B-1 = WIN

Just got the AMT Electronics Legend Amps Series' P-1 and B-1. Check out the photos below:

The B-1 is based on Bogner while the P-1 is based on Peavey's 5150. 

Clips coming soon!

Hadi

A Musician's Canvas: Translate Your Inspiration Into Sound

I was having a conversation with a friend just today about that "blue" feeling you get when the creativity bulb gets lit up and how having a working "canvas" can get you in a position of power in a sense, it allows you to tap into that creative feeling in a way to utilize it and get ideas out in a productive form. I like to think of this as a translation process where you hop on the same wavelength as your inspiration and start to decode that "blue" feeling into riffs and song ideas. 

I've already covered inspiration with a previous post, and though it's hard to explain such a dynamic thing as inspiration into words, I would highly recommend exploring what triggers your inspiration and gets you going so the process of being inspired can become a somewhat manually-induced. Do check out my previous post here  which covers my approach to inspiration.

Back to the idea of a canvas;

I can't stress enough on the importance of creating/setting up a working "realm" for you to be able to easily walk into and hammer out your inspiration into auditory lines.

Some of you may have faced issues that made you feel you can't get yourself to write songs or music and this may very well be the byproduct of not having that comfortable working space to let it out.

I, personally, have found myself on a whole different level of musical productivity once I had a small home studio setup where the only thing standing between me translating my inspiration into recordings was just plugging in my guitar. The reality of that is not the fact that I couldn't write as much songs as a musician as much as it is the fact that having that setup on my computer where I can, not only record ideas, but also expand that possibility into writing complete songs and thus allowing me to make quick decisions about riffs that come up because I'm writing songs each and every time I pick up the guitar and jam. And in turn, making full utilization of being inspired.

Signing out!

Hadi

Songwriting: How to Save a Helpless Song / Guide to Pwning Writer's Block

Being a songwriter, you’re going to encounter (sometimes more often than none) quite a few of those songs that are just not really THERE, you know? Songs that while you’re working on them you get that feeling inside telling you this is going down a different direction; bad different that is.

As difficult as it may be to really make a decision on keeping/pulling the plug on a song , a lot of things are worth considering. Check it out:

1. Is this song hopeless? 
2. If not ENTIRELY hopeless, where is the song taking a dive into obscurity? 
3. Is this song much too far from what is originally intended and you’d like to reapproach the original idea from scratch? 
4. If yes and you’d like to start from scratch, what are some of those riffs/bits that you’d like to preserve and use in future songs (if not the re-approached version even) 

As a budding songwriter I can tell you it’s quite difficult to let a song go, lots of hard work go into those. BUT hard work isn’t always pleasurably audible.

Let’s examine the above points in the bullets section…

IS THIS SONG HOPELESS?

I don’t mean this as a “Do you feel helpless about this song?”, this question is directed to the song itself (musician therapy posts may come later, I know I need those! Haha).

I’ll tell you this, I don’t think any song is hopeless. If you’ve got a couple taste riffs down with a basic structure in mind, any song can be saved. But you gotta be ready to throw some hard work down the bin, once again it’s important to note that songs aren’t measured by the hard work put into writing them but merely by how appealing they sound, I assure you that some of those big hits we’ve listened to for years might have been a spree-of-the-moment type songs, the raw factor in those is usually what makes them so electric to listen to.

DICOVERING WHERE YOUR SONG IS TAKING A DIVE INTO OBSCURITY

Listen to your song over and over from the beginning while doing nothing else, just listen to it and feel it out. Tune in to that feeling where you start to truly realize when and where the song just strays off the true essence that the rest of the song is conveying. This is not an easy step, but it’s not hard either; figure out when the song stops being fun to listen to, that’s usually where you need to take a closer look.

EXAMPLES OF WHY YOUR SONG IS TAKING A DIP AT THAT PARTICULAR MOMENT

This could be one of many, or a combination of a few things. Check out the below possibilities and examine those against your song:

• Too much repetition 
• Dangerously progressive; in a sense that it feels like you just started a completely new song with no relevance to the main one 
• Uninspired riff 
• An “Awesome” riff that you are trying really hard to throw into the song, but it’s leading to a bottle neck situation where it’s not fitting into any upcoming transitions 
• Maybe you need to rediscover this song’s true essence, it’s very possible that you are now inspired to write something completely different (What I usually like to do is, if something has inspired me to write in a certain direction, I don’t allow myself to explore any other source of inspiration until I’ve finished working on what I’m inspired to do. Mixing different sources of inspiration can be damaging as it’ll stray you off and divide your work’s essence into different feels that don’t complement each other) 

Those are just some of the things that are worth considering and that I’ve personally came across, the reasons could be much too many!

SIDE NOTE: THE DANGERS OF HAVING AN AWESOME RIFF

I hate those awesome riffs that get stuck in your head, and personally try to avoid them as best as I can. Here’s how I think about it:

A riff, no matter how great or bad, is meaningless unless placed in the right place and the right time within a song. What is an IMMENSELY amazing riff in standalone, could be the weakest link in your song; as on the contrary, the most uninteresting riff in standalone could be your game changer in a song, think about it.

ONCE YOU’VE FOUND THE WEAKEST LINK…

Once you’ve found your song’s current weakest link, get rid of it and just start writing from that leaves you off. This approach usually leaves me happy by the end of the songwriting process.

Above all, make sure you’re having fun, not rushing, and keeping it genuine. You should be able to enjoy the song with no regrets by the time it’s done.

Talk soon

Hadi

Benevolent mentioned on Blabbermouth.net

So the mother of press mentions has just rolled in for us, BLABBERMOUTH.NET

This is absolutely exciting for us. Do check out the full article below in the link

http://legacy.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=170025

Thank you all for the support!
Hadi

[PRESS RELEASE] Benevolent: "We are wrapping up the writing process for our debut full length"

Benevolent’s co-founder (guitarist/co-vocalist) Hadi Sarieddine has confirmed that the band is nearing the end of the writing and preproduction process for the debut full length album, which is the follow up to the highly toutedDivided EP (2010) which saw the band take the Middle East metal scene by storm, leading the Lebanese-founded metal band into the signing with Spellbind Records alongside Middle East metal icons Nervecell.

Hadi describes the material as “dramatic, technical, uneasy, and progressive” stating that the album is a step up from the bands’ previous work and pushes the band’s limits and boundaries ahead.

“This album’s definitely a fine blend of lots of dramatic moments, the songs are heavier than before and I think it’s an honest attempt at pushing our artistic limits further”

In talk about the songs in the album, Hadi had this to say

“The songs are longer, the soundscapes and textural backgrounds are there and there’s a whole new tuning on the album…I think there’s only one or two songs that share the tunings used on Divided EP and I’ve taken that as a conscious decision, I wanted to explore writing riffs in different tunings…it felt like uncharted territory for me and that definitely got the creative juices flowing!”

The band will record the debut untitled full-length with Sajid ‘Sarj’ Masood who worked with the band on Divided EP and has been repeatedly cited as one of the main factors that allowed the band’s sound to be experienced in the manner that it did. Though the band has not set a date as to when the recording of the album will start, the album is expected to be out in stores through the spring of 2012.

Benevolent had previously announced the release of a single in 2011 prior to the end of the year, however, this had been changed and confirmed by Fadi (band’s co-founder and lead vocalist) that the song intended as a single will indeed be featured on the full length instead.

“We had a song planned for release as a single through Q4 of 2011 and though we haven’t released that song yet it will SURELY be featured on the debut full-length, it’s one of our favorite songs!”

On a final note, Hadi has been blogging on the progress with regards to the Benevolent album in addition to other things such as songwriting and production methodologies, do check out the blog at hadibenevolent.blogspot.com to keep up with all the updates!

Interview on Metal Music Production - Talking Divided EP's production

Hey guys!

Here's a really extensive interview talking about the production process of Divided EP with lots of info on gear and what not! It's pretty cool!

http://metalmusicproduction.com/?p=162

Cheers,
Hadi

Enjoyable Music & Inspirational Music: Are they the same?

I’ve been analyzing the patterns in which I listen to music and how different genres/styles make me feel during and after. My self-analysis of listening patterns has made me realize that I tend to categorize music into two main sections:

1. Enjoyable: Music that I listen to just for what it is, enjoy it, sing along, unwind to!

2. Inspirational: Music that acts as the catalyst to a complex chemical reaction eventually leading to anxiousness and self-inflicted violence if I don’t grab a Guitar, plug into Logic, load up Superior Drummer, and get to work!

So, what sets apart the two categories?

I guess that there are certain genres and styles that I listen to that don’t start a fire on the creative side of my brain, just for the sake of unwinding and to really capture the absolute listening experience that the song was intended to disperse (for example: acoustic rock, radio hits, etc). With such genres I find myself just at ease while listening, good music for driving, walking, post-work hours unwinding time; you know? Just music for the fun of it!

On the other end of the spectrum are genres and bands that, when I am listening to, give me a sensation of being injected with some sort of a substance that leaves me in a state where I just need to get a hold of a guitar right that second and start working on new song ideas. It’s an instantaneous sensation; actually, I don’t really go through an entire discography of a band to have to get the creative goggles on.

To be fair, there always is as cross-over period of time where the Enjoyable songs spark an inspiration and other times (lots of times) where the Inspirational songs are just being tuned to strictly for the fun of listening to them. I guess it also depends on what time of the year it is, am I working on new material at the time when I’m tuning in to the Inspirational songs? Am I opening doors for inspirational ideas to be absorbed?

The truth is, if you’re ever inspired about and toward something, you can never turn that inspiration on and even if you’re unaware that an absorption is taking place your senses may very well be soaking up a little of all the things that you are exposed to, be it music, art, movies, something you read, or whatever it may that triggers your senses.

Finally, here’s a list of bands that to me belong to each of the afore-mentioned categories. (Note that INSPIRATIONAL bands are REALLY ENJOYABLE too!)

ENJOYABLE	INSPIRATIONAL
Spock’s Beard Transatlantic Neal Morse Evanescence Adele Coldplay Woods of Ypres A Perfect Circle Muse Metallica Maroon 5 Katatonia* Kamelot Creed Alter Bridge* Linkin Park* Breaking Benjamin* Guns N Roses …LIST GOES ON…	Meshuggah Dream Theater Scar Symmetry Opeth Symphony X Lamb of God Stealing Axion Linkin Park* Killswitch Engage Katatonia* Metallica Fear Factory Deftones Alter Bridge* Breaking Benjamin* Porcupine Tree …LIST GOES ON…

*indicates bands that are on both sides 

Talk soon!

Hadi

My Method and Approach to Polyrhythms

Explaining Benevolent’s songs ‘Purgatory’ & ‘The Quantum Paradox’ 

So I wanted to write his one up for a while, the songs ‘Purgatory’ and ‘The Quantum Paradox’ off of Benevolent’s debut EP ‘Divided’ have a few of my favorite moments to play live, and those are the polyrhythmic bits where there’s an oscillation of two beats on top of each other (which is what a polyrhythmic beat is) and resolving together towards the end of the overall pattern. 

So let’s start with the basics, what does the term polyrhythm mean? 


A polyrhythm is when you have more than one rhythm on top of each other being played simultaneously. Though lots of instruments can contribute to a polyrhythm, the drums are what really set it apart and put it to the groove. Commonly in metal, you’d find drummers following the guitar pattern with the kick drum, that oscillating around straightforward cymbal work and with the snares sitting on regular 4/4 patterns. 

Let’s get into how those this was utilized in the songs PURGATORY and THE QUANTUM PARADOX; 

Purgatory 


The song Purgatory’s polyrhythm section takes place at 00:27, and is based on a very simple pattern in 10/16 (or 5/8) looping (or oscillating) over a 4/4 measure. The pattern is as follows: 

Notes explanation:

TWO 16th – ONE 16th REST – TWO 16th – ONE 16th REST – THREE 16th – ONE 16th REST

In simple, 2/2/3 (add a rest in between each note)

TIP:

How did I know it is a 10/16?

SIMPLE: We’re playing 16th notes over bpm 160. SO let’s count the number of notes based on that little breakdown I added up:

2 + 1 + 2 + 1 + 3 + 1 = 10

As you can see, the pattern on takes up 10/16 of a 4/4 beat.

So, what creates that cool groovy poly sound?

It’s pretty simple, in a complicated way; basically if the drums were playing a 5/8 beat over the 5/8 pattern then the entire band would be doing the same exact rhythm and that is no longer considered a polyrhythm. The simple fact that the drummer is entertaining a 4/4 feel to the rhythm is exactly what is creating this cool groove, is the rotation of the pattern around the simple 4/4 feel that’s giving it that really interesting mathematical sound.

Note that the pattern is broken up and both drums and guitars are in a synchronized rhythm at the 3rd beat of the 8th bar.

The entire pattern:

The Quantum Paradox

The polyrhythm in the song The Quantum Paradox takes place at 01:26, this one’s based on a little more complicated pattern (And a longer one); pattern is:


Notes Explanation:

THREE 16TH NOTES + ONE 16TH REST + TWO 16TH NOTES + ONE 16TH REST + TWO 16TH NOTES + ONE 16TH REST + FIVE 16TH NOTES + ONE 16TH REST + TWO 16TH NOTES + ONE 16TH REST + TWO 16TH NOTES + ONE 16TH REST

In simple, 3/2/2/5/2/2 (add a rest in between each note)

As you can see, this pattern is in 11/8 (or 22/16).

TIP:

How did I know it is a 22/16?

SIMPLE: We’re playing 16th notes over bpm 160. SO let’s count the number of notes based on that little breakdown I added up:

3 + 1 + 2 + 1 + 2 + 1 + 5 + 1 + 2 + 1 + 2 + 1 = 22

The pattern of 22/16 is, just as in Purgatory, looping and revolving around a 4/4 beat with the cymbals and snares falling exactly where an average-Joe beat would be like!

As explained in the Purgatory example, the oscillation of the two rhythms over each other is resulting in a very interesting mathematical groove.

Note that the pattern is broken and a “resolving” riff is introduced at the 8th bar as to give an indication of the end of this section and the beginning of the next in a more audible sense. (This is good news for us live as well since it allows us to be able to feel when to switch to the next bit together without the need of an accountant on stage) 

The entire pattern:

So, yea

Finally, I hope that this was a helpful little lesson! Hit me up if you’ve got any questions or comments!

I’ll do another piece in the near future on where you can draw inspiration for interesting polyrhythm ideas without overdoing the same feel or repeating your good old ideas.

Hadi

What Inspires You?

Hey guys,

I think one of the most important things about being an artist/musician is knowing what triggers your creative juices and makes you want to unleash some awesome wrath (In case of metal heads) to the universe (Also known as the internet!).

It really is all about being inspired and getting that urge to create something new. This NEW something could be picking up certain vibes that a song reverberates, a feel that a movie gives, or a story that you come across. The very interesting thing about inspiration and using that drive to create new ideas is that the perception in which we enjoy music/other forms of art and the way they move us is different from one person to the other. When two different people look at the same painting, they both may admire it and even get inspired by it BUT that doesn’t mean that they are looking at the very same parts of the paintings, or that they have been moved in the same direction by the art.

I met a jazz musician back in 2006, I was talking scales, modes, and jazz movements with him trying to get some questions answered from a true pro, and he said something that has changed my view towards the concept of inspiration up until this very day; he said “I’ve created my original style of playing and composing by trying to copy my favorite musicians”. Once I’ve placed that sentence in terms of technique, playing style, compositional style, production, and overall sound, it all just made sense because when you’re feeding off the inspiration of your favorite musicians/artists/authors/etc is when the true genius in you comes out.

So what inspires ME personally?

Here’s what gets my creative juices flowing (with specific examples):

1.       Live concert videos

I wrote the song “Haunting Shores” immediately after watching Arch Enemy’s “Tyrant of the Rising Sun” concert DVD. I just couldn’t not write music after watching such an intense, intricate, and raw live performance.

2.       Performing live / Going to live shows

Watching Zygnema’s live set at Metal Asylum Festival 2011, and performing up on stage just got me so inspired. I remember going to bed at 5 am after the show and waking up at 8 am, starting up my laptop and getting right to writing a new song! Hats off to all the other bands from the show!

3.       Behind the scenes footage of bands (preparing for shows / on the road / etc)

I guess this just boils down to seeing the vibe and psych that bands are in once on the road and with their game faces on.

4.       Drums playthroughs

Watching videos of really technical and groovy drummers on YouTube really just sets me into the groove to riff up some ideas! A lot of the times when I write music it all just starts with the drum beat, whether it is a fast beat, a triplet gallop one, or a polyrhythm, the drums are usually the first to be placed into the DAW

5.       Horror movies

Due to the fact that I enjoy working with so much background textures and haunting sound effects, horror movies really do set me in the right direction for that!

6.       Guitar playthroughs

This one is pretty basic since I’m a guitarist mainly. Though I find myself uninspired by virtuoso playing (Though I truly appreciate virtuoso players and have been driven by them through my years of playing), due to several reasons, I am more into watching videos of songs with very interesting structures and rhythmic phrases, that stuff is unreal!

Alright folks, I’m off for now! More yapping soon!

Hadi