New BENEVOLENT VLOG

Hey guys!

How's everyone doing?

We got a new VLOG up! This one covers our experience from Gulf Bike Week and Mental Issues.

I'll be posting up a full post of our experience at the Mental Issues show this past weekend.

We are working on tons and TONS of things! Really can't wait to share it with you all!

In the mean time, I will leave you with the VLOG.

Speak soon all!
Hadi

NEW TOY DAY: LINE 6 POD HD500

Hey guys!

Another new toy day! I've just picked up the Line 6 POD HD500 and it is KILLER!

I'd like to thank the guys at Thomsun Pure Music for being awesome and helping me get a hold of this new baby! (Do check out their music institutes at Popular Music Institute and Sing and Swing Training Centre)

I'll post a proper full length review of this pretty soon! For now, I will leave you with the usual unboxing photos:

Cheers,
Hadi

Benevolent to Open for Nervecell in Dubai

Hey guys!

That's right! Gonna be hitting the stage with Benevolent LIVE on June 29th opening for Nervecell as they stop in Dubai during their Psychogenocide Middle East Tour!

Check below for the event information, come down and slug it out with us.

Official Event Page on Facebook
Event's Official Website

We are all super psyched to be a part of this gig and we can't wait to see you all out there from the stage.

See you there!
Hadi

Writing a Song in Memory of David Gold

Hey guys,

So I've been working on the tribute song for my good buddy, the late, David Gold (Woods of Ypres). I am pretty sure this post is going to be a bit of a dull read but I feel the need to write this since this page has become a point of ventilation for all sorts of stuff that come to mind in the musical spectrum, and though David was a friend and not a band mate or someone that I worked musically with, he was and remains to be an inspiration, and his music has been influencing my work on the Benevolent album.

When writing this song, the part that mostly gives me some aching is that David's not around to hear this piece or the rest of the Benevolent album. We often spoke about this and I kept updating him on our work even while he was on tour with Woods.

Every time I listen to the progress on the song so far, I just ask myself "What would David think of this piece?" and I suppose this has led to a Woods of Ypres feel to the song.

But, what is the image that the song should depict?

I believe that words cannot be said to pay tribute to a good friend, but music can get me closer to translating all this stuff.

I do hope that the song reverberates and shines as a melody that attempts to represent the feelings behind the loss of a great friend.

Rest in Peace, brother!

Hadi

Settling in Dubai; Exploring the Metal Scene; Writing/Recording Solos for the NEW BENEVOLENT ALBUM

Hey guys!

So I've been busy settling into my new life out here in Dubai, loving it! I've been to a few shows already and I am really enjoying how vibrant the scene here is here. Fadi and I went to the Avenged Sevenfold and Anuryzm show back in early May, and it was phenomenal! Both bands really rocked out and we had a blast. The other show I've been to was the Hate Eternal / Perversion / Creative Waste show done by Spellbind Records and the bands were freaking crazy good!

Besides settling in, snooping around my new home, and getting to know Dubai, we've been hard at work on finishing the Benevolent record. Vocals and solos are underway! We are having a blast putting this thing together!

I have kind of found that I am taking to a more organic way of writing the solos for the new album. I think that I am reaching a deeper and more sincere level of intimacy with recording the solos on my laptop in the room on my own without the studio pressure of having to get the very next take down. I think both recording in a studio with an engineer/producer guiding you through things AND recording on your own have advantages and disadvantages.

I often worry that the solos I am writing may sound good to me because I am engulfed by the wavelength of creativity that I am feeding off of. Although, what I am doing is am keeping Sarj involved in the production process so I keep sending him the takes in scratch tones for some feedback, alongside the rest of the band obviously. My good friend Bader Nana is also one the trustful ears that I turn to for feedback. Those guys say it as it is, and I find myself always seeking their "approval" over bits before they are confirmed as the final ones for the record!

Much to talk about, stay tuned for more updates! And give us a like on Facebook HERE

Take care now.

Hadi

First Day Tracking Vocals

Hey guys!

Today was the first day of vocal tracking, Fadi jumped right in with great energy and ripped through his parts.

What we're going to do is finish all the growl vocals (Fadi's bits) first, and then after that I'll step in to do my vocals and finish up my solos as well along the same time.

Here are some shots from today's session:

Stay tuned!
Hadi

BENEVOLENT: TWO YEARS OF ALBUM CREATION (PART ONE)

December 2010: 

Psyched as F*** from Divided EP's reviews, reviews, reviews, and feedback / resulting in early demoing for the upcoming material.

February 2011: 

The song "THE 2011" is born with the main intro riff. Listened to lots of djent bands here so that's been an influence.

March 2011: 

"The USB riff" becomes the new song of focus; also heavily influenced by the djent bands I was listening to then. Sadly this song wasn't completed but didn't make the cut. Check out a half demo of it here!

May 2011: 

At this point the song "The 2011" is in the finishing phases of the writing process and being scheduled for tracking and release in the summer of 2011, hence the name! At this point I had been working heavily on generating other ideas but lightly because I prefer to finish the song at hand before moving on to other ones. I guess that's what happened with "The USB Riff" I just hopped into other things and never got around to finishing it, and I haven't "felt" it since then!

July 2011: 

Tracking "The 2011" takes place at Sarj's studio. We spent quite a bit of time tracking this one since it's got a set of really challenging riffs with specific picking patterns. At this point the working date for the new record's release started popping into mind heavily and whilst working on finishing "The 2011" we began to define a blueprint for the record. This was done in close consultation with Sarj as well! He's kind of like the band's babysitter in a sense.

September 2011: 

Benevolent signs to Spellbind Records. Can I get a hell yea?

Most definitely one of those proud moments for us as a band and myself personally, being on the same record as metal icons Nervecell is a true honor!

At this point "The 2011" was finished but due to so much going on at that moment we were taken away from focusing on the finalizing of this song and decided to let it hang as the album's picture starts to come more clearly into play.

At this point I began working on a song which I finished rather quickly, this was "Nice Introer"; to me this song is kind of like a Dream Theater meets Scar Symmetry with a nice acoustic topping here and there! I would say it's one of the best intros from the songs on the album!

October 2011: 

I started to toy up with two songs back to back at this point, and with working titles of "Paid to Rest" and "Sacramento" you guys can take a wild guess what I was listening to heavily then (Lamb of God FTW). The songs were demoed at my studio and finalized, however, they didn't make the final cut because I felt that they stood out distinctively from the rest, had a much too different feel about them, and I found myself losing interest in fixing them while rather just wanting to move on to fresh and new songs. Those songs were on the main picks of songs to track for the record's final product up until March 2012 (see in PART TWO!)

November 2011: 

Benevolent debut gig in Dubai at Metal Asylum Festival 2011 marking the band's first show in the UAE. We had a blast performing alongside the bands such as Zygnema, Firezone, and the rest!

I remember waking up at 8 am after sleeping at 5 am post the gig, really wired up from the show's energy, grabbed my laptop and started writing what later became the song "OBOBOBZEN"

At the point I was also grappling with a song named "EPIC2", which never got finished but I got a feeling this one will be making an appearance on future Benevolent releases. I remember recording a few ideas with my homie Khalid Al Mansour while we were bored and lonely in Dubai, waiting for rehearsal time.

Early December 2011: 

Demo recording of "OBOBOBZEN" comes to life. This was a turning point for the album's creation; it was the begin of the shift in tuning for the entire (well, most of the) album. I tuned down to E D A D G B E for a maximum sinister feeling when playing guitar.

Unfortunately, "OBOBOBZEN" sounded far too rushed and rather immature as a song, so it was scrapped, however, I feel this one song's presence in the process is key in this album's essence because it paved the way for the upcoming tracks, which in my opinion have made this album!

STAY TUNED FOR PART TWO!

Discover YOUR Musicianship

One of the main things that definitely set things in motion for me as a musician is coming to an understanding of who I am as a musician; the solid yet dynamic definition that sets the stage to channel all the hard work into a unified path and opens up the gates for even further dedication.

The trick behind this deal is the simple reality that when you know and understand what you're all about (or plan to be all about) as a musician you develop this tunnel vision giving you that focal point and an edge in which this new found dedication becomes all you know, all you think about, and all you look forward to. It almost (or very much so) turns into an obsession where all the hard work involved with getting it done becomes a very light task and you find yourself able to activate your inner genius.

The results of your work and the gratification entailed with watching all the elements align from the work of your very hands is a beautiful and addictive feeling.

Tunnel vision is what it's all about; whether you are a musician, a painter, writer, etc; whatever it is, it's all about the go-getter attitude that automatically goes into positive-haywire mode once you find yourself at peace, knowledge, and full acknowledgement and understanding of what you're on about in that domain.

Talk soon folks,
Hadi

AMT Electronics P-1 and B-1 = WIN

Just got the AMT Electronics Legend Amps Series' P-1 and B-1. Check out the photos below:

The B-1 is based on Bogner while the P-1 is based on Peavey's 5150. 

Clips coming soon!

Hadi

Songwriting: How to Save a Helpless Song / Guide to Pwning Writer's Block

Being a songwriter, you’re going to encounter (sometimes more often than none) quite a few of those songs that are just not really THERE, you know? Songs that while you’re working on them you get that feeling inside telling you this is going down a different direction; bad different that is.

As difficult as it may be to really make a decision on keeping/pulling the plug on a song , a lot of things are worth considering. Check it out:

1. Is this song hopeless? 
2. If not ENTIRELY hopeless, where is the song taking a dive into obscurity? 
3. Is this song much too far from what is originally intended and you’d like to reapproach the original idea from scratch? 
4. If yes and you’d like to start from scratch, what are some of those riffs/bits that you’d like to preserve and use in future songs (if not the re-approached version even) 

As a budding songwriter I can tell you it’s quite difficult to let a song go, lots of hard work go into those. BUT hard work isn’t always pleasurably audible.

Let’s examine the above points in the bullets section…

IS THIS SONG HOPELESS?

I don’t mean this as a “Do you feel helpless about this song?”, this question is directed to the song itself (musician therapy posts may come later, I know I need those! Haha).

I’ll tell you this, I don’t think any song is hopeless. If you’ve got a couple taste riffs down with a basic structure in mind, any song can be saved. But you gotta be ready to throw some hard work down the bin, once again it’s important to note that songs aren’t measured by the hard work put into writing them but merely by how appealing they sound, I assure you that some of those big hits we’ve listened to for years might have been a spree-of-the-moment type songs, the raw factor in those is usually what makes them so electric to listen to.

DICOVERING WHERE YOUR SONG IS TAKING A DIVE INTO OBSCURITY

Listen to your song over and over from the beginning while doing nothing else, just listen to it and feel it out. Tune in to that feeling where you start to truly realize when and where the song just strays off the true essence that the rest of the song is conveying. This is not an easy step, but it’s not hard either; figure out when the song stops being fun to listen to, that’s usually where you need to take a closer look.

EXAMPLES OF WHY YOUR SONG IS TAKING A DIP AT THAT PARTICULAR MOMENT

This could be one of many, or a combination of a few things. Check out the below possibilities and examine those against your song:

• Too much repetition 
• Dangerously progressive; in a sense that it feels like you just started a completely new song with no relevance to the main one 
• Uninspired riff 
• An “Awesome” riff that you are trying really hard to throw into the song, but it’s leading to a bottle neck situation where it’s not fitting into any upcoming transitions 
• Maybe you need to rediscover this song’s true essence, it’s very possible that you are now inspired to write something completely different (What I usually like to do is, if something has inspired me to write in a certain direction, I don’t allow myself to explore any other source of inspiration until I’ve finished working on what I’m inspired to do. Mixing different sources of inspiration can be damaging as it’ll stray you off and divide your work’s essence into different feels that don’t complement each other) 

Those are just some of the things that are worth considering and that I’ve personally came across, the reasons could be much too many!

SIDE NOTE: THE DANGERS OF HAVING AN AWESOME RIFF

I hate those awesome riffs that get stuck in your head, and personally try to avoid them as best as I can. Here’s how I think about it:

A riff, no matter how great or bad, is meaningless unless placed in the right place and the right time within a song. What is an IMMENSELY amazing riff in standalone, could be the weakest link in your song; as on the contrary, the most uninteresting riff in standalone could be your game changer in a song, think about it.

ONCE YOU’VE FOUND THE WEAKEST LINK…

Once you’ve found your song’s current weakest link, get rid of it and just start writing from that leaves you off. This approach usually leaves me happy by the end of the songwriting process.

Above all, make sure you’re having fun, not rushing, and keeping it genuine. You should be able to enjoy the song with no regrets by the time it’s done.

Talk soon

Hadi

[PRESS RELEASE] Benevolent Lead Guitarist Hadi Sarieddine now on AMT Electronic's Official Artist roster

Hadi Sarieddine, Lead guitarist of extreme experimental metal band Benevolent, has been added to AMT Electronics' lineup of official artists, marking him as the first Lebanese musician to be featured on the Russian comany's roster of artists.

Hadi Sarieddine had this to say about AMT's products, "I've recently picked up the E-1 from AMT Electronics' line of Legend Amps and was shocked by the quality from the get-go"

"The E-1's tone fits perfectly with the tone that I go for with Benevolent and I absolutely cannot wait to take this beast out live, and the best part is it can fit in my guitar gig bag's pocket" 

The Legend Amps series line from AMT Electronics features the emulation of legendary amplifiers in a full analog designed based on JFET technology, all in a stomp box design. The stomp boxes feature 2 output options, one that is a dry signal output and is designed to go directly into the effects return of your amplifier head; while the other output option features an emulated speaker cabinet intended to go directly into the PA or sound card.

Hadi Sarieddine added, "if you were to listen to a clip of how tuneful those little stomp boxes are without being told where all the preamp sounds are coming from, there's no way you'd guess it's coming out of something as small as a cell phone; I've never been so psyched about a tone like this before" 

Benevolent released their debut EP in November 2010, received rave reviews around the region; the band is currently in the recording process of their debut full length record which is due for release with Spellbind Records. You can listen to Benevolent's music on their Facebook page at https://www.facebook.com/Benevolent.band

Check out Hadi Sarieddine's profile on AMT Electronics on http://www.amtelectronics.com/artisty/hadi_sarieddine/, and make sure you check the rest of AMT Electronic's products on their website.

- ENDS -

Andols Herrick (Ex-Chimaira) to record with Benevolent

UAE-based extreme metal band BENEVOLENT to feature ANDOLS HERRICK on upcoming debut Full Length Album

UAE-based metallers Benevolent are in the recording process for their upcoming debut full length album, the band is adding drum-icon Andols Herrick (ex-Chimaira) as a featured musician on the album to record one track on the record. Hadi Sarieddine, the band co-founder and lead guitarist states "It is pretty crazy thinking that Andols Herrick is going to be drumming on one of our songs; if I go back in time and tell past-me that this was happening I'd probably get a pretty sarcastic reaction." He added "The last couple of years since we started the band have been absolutely insanely great for us; getting such great reviews for the debut record, getting signed to Spellbind Records, and now this? I can't think that things could be any better for the band, I'm really proud of how things are coming together"

Andols Herrick commented on his work with Benevolent and how this all came together and stated "I was approached by Hadi Sarieddine awhile back about the possibility of tracking drums for Benevolent. I was quite impressed with the quality of the music and vocals."

"I love having the opportunity to work with a great band, who happens to represent the Middle East metal scene very well. I do know it is very vibrant having had the pleasure of performing with Chimaira at the Desert Rock Festival in Dubai back in 2009."

The band hit the Middle East scene with strong waves with the release of their debut EP titled DIVIDED in the year 2010, placing the band as the top names in the metal scene on regional levels garnering fans across the world as well in Europe, USA, Japan and Asia, and Oceania. Benevolent was signed to Spellbind Records in September of 2011 (alongside label mates and Middle East metal icons Nervecell).

The band has provided previous information to the press about the direction of the next album as being a technical, dark, and progressive album that picks up where Divided left off whilst expanding the band's sound identity. Hadi commented on the material further saying "It's definitely a lot more technical than Divided; the songs have a lot going on and while it preserves that sound that we've created in our debut EP this is a step forward on many levels and it tells a story about lots of dark themes with the lyrical and instrumental direction on the album."

As for the specific song that Andols Herrick is recording, Andols commented stating "This song presented numerous rhythmic challenges as I was learning it. If you were a drummer with limited music theory experience, I'd just say "Good luck trying to learn it!" The song is loaded with "over the bar line" guitar riffs, and I found myself, on occasion, discovering some of my transcriptions would be a sixteenth note off here or there!"

The band is set out to release the debut full length through Spellbind Records in the spring of 2012, and will be performing across the Middle East and beyond to promote the new release.

On a final note, the band's frontman and co-founder, Fadi Sarieddine, stated "We all can't wait to share this album with the world; I believe we have a very strong set of new songs and it's going to be great to share the new stuff with the world. Once the album is done, it will be the begin of the next phase of this observation's life cycle, and that is to get it all out there to as many listeners as possible worldwide; we're excited and we absolutely cannot wait!"

To keep up with the band's news and updates be sure to check out their official pages on the links below: (ALSO, BE SURE TO DOWNLOAD THE BAND'S DEBUT EP WHICH IS AVAILABLE ON FREE DOWNLOAD HERE http://benevolent.bandcamp.com)

http://www.facebook.com/benevolent.band

http://www.twitter.com/benevolent_twitter

http://benevolent.bandcamp.com

-ENDS-

Album Blueprints: How Many Cylinders Are You Firing On?

I remember having a conversation with Sajid ‘Sarj’ Masood, Benevolent’s co-producer, (and one of the main factors that brought our sound to the shape that it came out through); we basically were talking about the upcoming Benevolent album and this was way early on in the writing process, months and months ago, and the idea of having a “blueprint” for the album came about. This would basically be like a rough mission statement of what we would like to achieve from the album as far as what elements are coming into play, and I believe this has truly served the write process well and definitely put things into perspective.

This was a great thing for me to have personally because I’m always anxious and stressing about the very little details going into the album’s writing process and what elements the songs are entertaining; is it too much? Is it too little? Is it just about right?

When we sat down and figured out a rough blueprint for the upcoming record it changed the game plan positively because I felt like I was writing with more purpose, I was writing songs for them to be included on the record instead of writing songs off the fly with little perspective or vision as far as how they serve the big picture of the album’s sound.

I remember us doing something similar unconsciously during the Divided EP sessions where Sarj came up and said “Alright, you’ve got a couple songs that have this specific feel; now you need another song that sounds a bit on that other send of your style and push things in that direction.” The best part of it all is that I find myself getting super inspired by things that those around me are saying about the music I’m writing, so it makes me consider things from a very broad view; although, I think a musician is truly able to get as close as possible to listen to his/her music for what it really is, rather than be stuck in a bubble thinking it sounds a certain way, much kudos go out to that person!

Keep producing!
Hadi

It's happening!

Hey guys!

So we [Benevolent] are getting ready to start tracking the new album, the final collection of songs going into the production is a fine mix of hard-hitting, melancholy, and progressive songs with lots of chugging and shimmering melodies; I CAN’T WAIT!

Basically, what’s going to happen is we’re going to get on with tracking down the bass to scratch MIDI drums. I really can’t wait to get down to designing the bass tone and getting on with tracking things up, I think the guys are gonna rip through this album and it’s going to be a very fun experience.

I am pretty sure we’re going to be experimenting with some of the song structure when need be, in addition to adding up some more enticing layers than there already is. It’s a whole lot like cooking, you’ve gotta have the right ingredients in there, but even with the right ingredients there has to be a control as to not have that stuff on there with an overload.

We’re going to start with the song with the working title of PODISBACK, which actually is probably my favorite song on the record right now. It’s as heavy as Chuck Norris’s beard and has a very cool overall drive with lots of textures and an interesting dreamy selection of sounds.

So yea, we start with tracking the bass, and then get on with doing guitars; while simultaneously working on the preproduction work for the vocal bits. It’s exciting, we’re nervous and excited!

STAY TUNED!!!!

Hadi

[PRESS RELEASE] Benevolent: "We are wrapping up the writing process for our debut full length"

Benevolent’s co-founder (guitarist/co-vocalist) Hadi Sarieddine has confirmed that the band is nearing the end of the writing and preproduction process for the debut full length album, which is the follow up to the highly toutedDivided EP (2010) which saw the band take the Middle East metal scene by storm, leading the Lebanese-founded metal band into the signing with Spellbind Records alongside Middle East metal icons Nervecell.

Hadi describes the material as “dramatic, technical, uneasy, and progressive” stating that the album is a step up from the bands’ previous work and pushes the band’s limits and boundaries ahead.

“This album’s definitely a fine blend of lots of dramatic moments, the songs are heavier than before and I think it’s an honest attempt at pushing our artistic limits further”

In talk about the songs in the album, Hadi had this to say

“The songs are longer, the soundscapes and textural backgrounds are there and there’s a whole new tuning on the album…I think there’s only one or two songs that share the tunings used on Divided EP and I’ve taken that as a conscious decision, I wanted to explore writing riffs in different tunings…it felt like uncharted territory for me and that definitely got the creative juices flowing!”

The band will record the debut untitled full-length with Sajid ‘Sarj’ Masood who worked with the band on Divided EP and has been repeatedly cited as one of the main factors that allowed the band’s sound to be experienced in the manner that it did. Though the band has not set a date as to when the recording of the album will start, the album is expected to be out in stores through the spring of 2012.

Benevolent had previously announced the release of a single in 2011 prior to the end of the year, however, this had been changed and confirmed by Fadi (band’s co-founder and lead vocalist) that the song intended as a single will indeed be featured on the full length instead.

“We had a song planned for release as a single through Q4 of 2011 and though we haven’t released that song yet it will SURELY be featured on the debut full-length, it’s one of our favorite songs!”

On a final note, Hadi has been blogging on the progress with regards to the Benevolent album in addition to other things such as songwriting and production methodologies, do check out the blog at hadibenevolent.blogspot.com to keep up with all the updates!

Interview on Metal Music Production - Talking Divided EP's production

Hey guys!

Here's a really extensive interview talking about the production process of Divided EP with lots of info on gear and what not! It's pretty cool!

http://metalmusicproduction.com/?p=162

Cheers,
Hadi

Enjoyable Music & Inspirational Music: Are they the same?

I’ve been analyzing the patterns in which I listen to music and how different genres/styles make me feel during and after. My self-analysis of listening patterns has made me realize that I tend to categorize music into two main sections:

1. Enjoyable: Music that I listen to just for what it is, enjoy it, sing along, unwind to!

2. Inspirational: Music that acts as the catalyst to a complex chemical reaction eventually leading to anxiousness and self-inflicted violence if I don’t grab a Guitar, plug into Logic, load up Superior Drummer, and get to work!

So, what sets apart the two categories?

I guess that there are certain genres and styles that I listen to that don’t start a fire on the creative side of my brain, just for the sake of unwinding and to really capture the absolute listening experience that the song was intended to disperse (for example: acoustic rock, radio hits, etc). With such genres I find myself just at ease while listening, good music for driving, walking, post-work hours unwinding time; you know? Just music for the fun of it!

On the other end of the spectrum are genres and bands that, when I am listening to, give me a sensation of being injected with some sort of a substance that leaves me in a state where I just need to get a hold of a guitar right that second and start working on new song ideas. It’s an instantaneous sensation; actually, I don’t really go through an entire discography of a band to have to get the creative goggles on.

To be fair, there always is as cross-over period of time where the Enjoyable songs spark an inspiration and other times (lots of times) where the Inspirational songs are just being tuned to strictly for the fun of listening to them. I guess it also depends on what time of the year it is, am I working on new material at the time when I’m tuning in to the Inspirational songs? Am I opening doors for inspirational ideas to be absorbed?

The truth is, if you’re ever inspired about and toward something, you can never turn that inspiration on and even if you’re unaware that an absorption is taking place your senses may very well be soaking up a little of all the things that you are exposed to, be it music, art, movies, something you read, or whatever it may that triggers your senses.

Finally, here’s a list of bands that to me belong to each of the afore-mentioned categories. (Note that INSPIRATIONAL bands are REALLY ENJOYABLE too!)

ENJOYABLE	INSPIRATIONAL
Spock’s Beard Transatlantic Neal Morse Evanescence Adele Coldplay Woods of Ypres A Perfect Circle Muse Metallica Maroon 5 Katatonia* Kamelot Creed Alter Bridge* Linkin Park* Breaking Benjamin* Guns N Roses …LIST GOES ON…	Meshuggah Dream Theater Scar Symmetry Opeth Symphony X Lamb of God Stealing Axion Linkin Park* Killswitch Engage Katatonia* Metallica Fear Factory Deftones Alter Bridge* Breaking Benjamin* Porcupine Tree …LIST GOES ON…

*indicates bands that are on both sides 

Talk soon!

Hadi

My Method and Approach to Polyrhythms

Explaining Benevolent’s songs ‘Purgatory’ & ‘The Quantum Paradox’ 

So I wanted to write his one up for a while, the songs ‘Purgatory’ and ‘The Quantum Paradox’ off of Benevolent’s debut EP ‘Divided’ have a few of my favorite moments to play live, and those are the polyrhythmic bits where there’s an oscillation of two beats on top of each other (which is what a polyrhythmic beat is) and resolving together towards the end of the overall pattern. 

So let’s start with the basics, what does the term polyrhythm mean? 


A polyrhythm is when you have more than one rhythm on top of each other being played simultaneously. Though lots of instruments can contribute to a polyrhythm, the drums are what really set it apart and put it to the groove. Commonly in metal, you’d find drummers following the guitar pattern with the kick drum, that oscillating around straightforward cymbal work and with the snares sitting on regular 4/4 patterns. 

Let’s get into how those this was utilized in the songs PURGATORY and THE QUANTUM PARADOX; 

Purgatory 


The song Purgatory’s polyrhythm section takes place at 00:27, and is based on a very simple pattern in 10/16 (or 5/8) looping (or oscillating) over a 4/4 measure. The pattern is as follows: 

Notes explanation:

TWO 16th – ONE 16th REST – TWO 16th – ONE 16th REST – THREE 16th – ONE 16th REST

In simple, 2/2/3 (add a rest in between each note)

TIP:

How did I know it is a 10/16?

SIMPLE: We’re playing 16th notes over bpm 160. SO let’s count the number of notes based on that little breakdown I added up:

2 + 1 + 2 + 1 + 3 + 1 = 10

As you can see, the pattern on takes up 10/16 of a 4/4 beat.

So, what creates that cool groovy poly sound?

It’s pretty simple, in a complicated way; basically if the drums were playing a 5/8 beat over the 5/8 pattern then the entire band would be doing the same exact rhythm and that is no longer considered a polyrhythm. The simple fact that the drummer is entertaining a 4/4 feel to the rhythm is exactly what is creating this cool groove, is the rotation of the pattern around the simple 4/4 feel that’s giving it that really interesting mathematical sound.

Note that the pattern is broken up and both drums and guitars are in a synchronized rhythm at the 3rd beat of the 8th bar.

The entire pattern:

The Quantum Paradox

The polyrhythm in the song The Quantum Paradox takes place at 01:26, this one’s based on a little more complicated pattern (And a longer one); pattern is:


Notes Explanation:

THREE 16TH NOTES + ONE 16TH REST + TWO 16TH NOTES + ONE 16TH REST + TWO 16TH NOTES + ONE 16TH REST + FIVE 16TH NOTES + ONE 16TH REST + TWO 16TH NOTES + ONE 16TH REST + TWO 16TH NOTES + ONE 16TH REST

In simple, 3/2/2/5/2/2 (add a rest in between each note)

As you can see, this pattern is in 11/8 (or 22/16).

TIP:

How did I know it is a 22/16?

SIMPLE: We’re playing 16th notes over bpm 160. SO let’s count the number of notes based on that little breakdown I added up:

3 + 1 + 2 + 1 + 2 + 1 + 5 + 1 + 2 + 1 + 2 + 1 = 22

The pattern of 22/16 is, just as in Purgatory, looping and revolving around a 4/4 beat with the cymbals and snares falling exactly where an average-Joe beat would be like!

As explained in the Purgatory example, the oscillation of the two rhythms over each other is resulting in a very interesting mathematical groove.

Note that the pattern is broken and a “resolving” riff is introduced at the 8th bar as to give an indication of the end of this section and the beginning of the next in a more audible sense. (This is good news for us live as well since it allows us to be able to feel when to switch to the next bit together without the need of an accountant on stage) 

The entire pattern:

So, yea

Finally, I hope that this was a helpful little lesson! Hit me up if you’ve got any questions or comments!

I’ll do another piece in the near future on where you can draw inspiration for interesting polyrhythm ideas without overdoing the same feel or repeating your good old ideas.

Hadi

What Inspires You?

Hey guys,

I think one of the most important things about being an artist/musician is knowing what triggers your creative juices and makes you want to unleash some awesome wrath (In case of metal heads) to the universe (Also known as the internet!).

It really is all about being inspired and getting that urge to create something new. This NEW something could be picking up certain vibes that a song reverberates, a feel that a movie gives, or a story that you come across. The very interesting thing about inspiration and using that drive to create new ideas is that the perception in which we enjoy music/other forms of art and the way they move us is different from one person to the other. When two different people look at the same painting, they both may admire it and even get inspired by it BUT that doesn’t mean that they are looking at the very same parts of the paintings, or that they have been moved in the same direction by the art.

I met a jazz musician back in 2006, I was talking scales, modes, and jazz movements with him trying to get some questions answered from a true pro, and he said something that has changed my view towards the concept of inspiration up until this very day; he said “I’ve created my original style of playing and composing by trying to copy my favorite musicians”. Once I’ve placed that sentence in terms of technique, playing style, compositional style, production, and overall sound, it all just made sense because when you’re feeding off the inspiration of your favorite musicians/artists/authors/etc is when the true genius in you comes out.

So what inspires ME personally?

Here’s what gets my creative juices flowing (with specific examples):

1.       Live concert videos

I wrote the song “Haunting Shores” immediately after watching Arch Enemy’s “Tyrant of the Rising Sun” concert DVD. I just couldn’t not write music after watching such an intense, intricate, and raw live performance.

2.       Performing live / Going to live shows

Watching Zygnema’s live set at Metal Asylum Festival 2011, and performing up on stage just got me so inspired. I remember going to bed at 5 am after the show and waking up at 8 am, starting up my laptop and getting right to writing a new song! Hats off to all the other bands from the show!

3.       Behind the scenes footage of bands (preparing for shows / on the road / etc)

I guess this just boils down to seeing the vibe and psych that bands are in once on the road and with their game faces on.

4.       Drums playthroughs

Watching videos of really technical and groovy drummers on YouTube really just sets me into the groove to riff up some ideas! A lot of the times when I write music it all just starts with the drum beat, whether it is a fast beat, a triplet gallop one, or a polyrhythm, the drums are usually the first to be placed into the DAW

5.       Horror movies

Due to the fact that I enjoy working with so much background textures and haunting sound effects, horror movies really do set me in the right direction for that!

6.       Guitar playthroughs

This one is pretty basic since I’m a guitarist mainly. Though I find myself uninspired by virtuoso playing (Though I truly appreciate virtuoso players and have been driven by them through my years of playing), due to several reasons, I am more into watching videos of songs with very interesting structures and rhythmic phrases, that stuff is unreal!

Alright folks, I’m off for now! More yapping soon!

Hadi

Songwriting & Production

Hey guys,

Here's my mumble on production and songwriting. 

I guess that the term “production” could mean different things to different bands and projects. To me, and as I refer to it with my good friend Sajid ‘Sarj’ Masood (Co-producer of Benevolent’s Divided EP), production is basically that part of the song’s life where the structure, the sounds, the textures, and all the “coloring” of the song happens.

It really is the most important aspect of a song’s life; it could take a song from being the most intuitive tune to being the most monotonous one. I find that for the most part we tend to enjoy songs because of their production more than anything. A true testament to that is the fact that so much pop music is based on similar chord progressions and what not, but the differentiating factor here is the choice of sounds, twists in structure, and the addition of an original ‘hook’ that ties the listener in to the song. (P.S: The whole ‘hook’ thing shouldn’t be taken as a must for every song; the songs that you intend to use as “promo” material for your band could use a memorable ‘hook’ but don’t fret on about making a Lady Gaga hit out of every song. I actually find songs with ‘hooks’ that catch on quick to have a short lifespan in your audience’s playlists. Easy come. Easy go)

How I approach songwriting and production

To give more info about how I approach the whole production process and it’s importance, here’s how I work (you’ll find that the entire songwriting process is built on the production aspect): Here are the steps in simple with explanation:

1. Get inspired

The first and most important step is to get inspired; what kind of song do you want to write? What sort of texture do you have in mind? What do you intend to have people feel when they listen to it? Do you have an existing lyric which could help inspire you?

Tips: Listen to a band that gets your creative juices flowing. Don’t be afraid that you might rip them off, the key word here is “CREATIVE JUICES” which means this music makes you want to create something of your own, in that similar feel.

2. Start up a recording session on your DAW (Digital Audio Workstation)

What this step will allow you to do is to write songs instead of riffs, you have the recording software ready with all your plugins sitting right there in front of you and what you’re doing is writing a song from it’s very beginning to it’s very end.

I tried guitar tablatures before and they may work for many musicians, but I find them rather stale and often lead to writers block. The idea of having the ability to track and record your ideas down immediately is that you’ll be able to come up with the most organic feel to a song. And you’ll feel whether or not it’s working because you’re playing it as you go. PLUS, recording on a frequent level will keep you in shape as a musician, so come studio-time you’ll have the A game on.

3. Get to know your song

This is another crucial and interesting step. At this stage you’ve already got some riffs down; explore the feel of the song and just let it flow. I like to think that I’m letting the songs write themselves.

One more important thing, be ready to delete your most favorite riff in the song because sometimes we are under the illusion that some riffs are the IT factor in a song, when in reality they are causing more damage out of forced misplacement. It’s usually pretty difficult to delete a certain riff, BUT my indicator to doing that is when I try for days to continue a song off a certain riff and it’s not working, so I just lose the loose end that’s causing inspirational draught in the song.

4. Keep the structure inspiring

This part is straight to the point; don’t be afraid of trying things that you haven’t heard in other songs. Remember that the only limitation here is “Does it sound good?”

There’s no wrong or right; I even tend to forget all about the music theory I’ve learnt when writing songs (This works well for metal mostly, I’d be careful in other styles of letting go of theory).

5. Layers, textures, and colors

Add color to your song; listen to some of your favorite songs and tune into the sounds that you don’t necessarily listen to primarily but they are there in the song and subconsciously making you enjoy the song even more.

Those could be simple things like:

a. Guitar feedback crescendos leading to a heightened part

b. Drone effects in the background

c. Synths and pads

d. Orchestral sounds and choirs

e. Innovation in adding new guitar tones in repeated verses to add new elements for the listener to enjoy

f. ETC

6. Have fun, get it done, and write more songs

Once you’ve found your muse and a comfortable methodology of writing songs, recording them, and producing them, you’ll find yourself swimming in a sea of inspiration where you’re not sure how to start; the good news is, this inspiration is the most beautiful thing a musician can experience so make sure you are listening/watching bands (and even movies) that make you want to express something musically and don’t be afraid of discovering new things.

Most of all, make sure you’re having a good time writing songs. Your audience can hear your inspired organic take on your songs and will surely feel the connection that you have with your produced songs.

Feel free to shoot me a line if you’ve got some questions!

Happy writing!

Hadi