Line 6 POD HD500 Warm Clean Tone

Hey guys!

So I spent the night toying with my Line 6 POD HD500 in pursuit of a warm clean tone (something along the lines of what Opeth were beautifully tormenting our senses with on their album Damnation).

I plugged the POD right into my MacBook Pro via USB, opened up the POD HD500 Edit software (which is a ridiculously simple and comfortable way to craft your tones, it's just fascinating). I tried a few amps looking for the texture I was looking for and the Hiwatt amp model immediately felt like home.

I got a nice clean and round tone with just about everything at flat settings on the Hiwatt amp model, with the default cab/mic settings as well. From there on I basically started toying around with different compressors before the amp to give the roundedness a warm attack and definition. That worked out well! I ended up adding another compressor after the amp in the signal chain to in-turn give stronger definition to the "processed" tone coming out of the amp.

To emphasize depth and give the tone a certain liquidity, I added a chorus pedal (this was placed as the compressor following the amp in the signal chain). When I add those chorus pedals to tones that don't require that extra wobbly tone, I just set the mix down to a very minimum level where the listener may not necessarily hear that the chorus effect is in there BUT it's adding to the tone's richness and liquifying it.

Last but not least, the cherry on the cake: the Ping Pong Delay pedal. I dropped the Mix to about 30% and gave the Feedback a notch up. AND VOILA!

Give it a listen and make sure you DOWNLOAD THE TONE if you own a POD HD500.

Best!
Hadi

Settling in Dubai; Exploring the Metal Scene; Writing/Recording Solos for the NEW BENEVOLENT ALBUM

Hey guys!

So I've been busy settling into my new life out here in Dubai, loving it! I've been to a few shows already and I am really enjoying how vibrant the scene here is here. Fadi and I went to the Avenged Sevenfold and Anuryzm show back in early May, and it was phenomenal! Both bands really rocked out and we had a blast. The other show I've been to was the Hate Eternal / Perversion / Creative Waste show done by Spellbind Records and the bands were freaking crazy good!

Besides settling in, snooping around my new home, and getting to know Dubai, we've been hard at work on finishing the Benevolent record. Vocals and solos are underway! We are having a blast putting this thing together!

I have kind of found that I am taking to a more organic way of writing the solos for the new album. I think that I am reaching a deeper and more sincere level of intimacy with recording the solos on my laptop in the room on my own without the studio pressure of having to get the very next take down. I think both recording in a studio with an engineer/producer guiding you through things AND recording on your own have advantages and disadvantages.

I often worry that the solos I am writing may sound good to me because I am engulfed by the wavelength of creativity that I am feeding off of. Although, what I am doing is am keeping Sarj involved in the production process so I keep sending him the takes in scratch tones for some feedback, alongside the rest of the band obviously. My good friend Bader Nana is also one the trustful ears that I turn to for feedback. Those guys say it as it is, and I find myself always seeking their "approval" over bits before they are confirmed as the final ones for the record!

Much to talk about, stay tuned for more updates! And give us a like on Facebook HERE

Take care now.

Hadi

In Lebanon; Working Hard

Hey guys!

So I'm in Lebanon taking a little break in between relocation. March has been a huge month, I've left Kuwait for good after spending over two decades there (in addition to being born there), and now I'm in the process of moving to the UAE. EXCITING.

So, while I'm here taking a short vacation I've been spending lots of time with my AMT Electronics pedals and being exceptionally productive in work on the upcoming BENEVOLENT album. It's all coming together nicely!

I'm also working closely with Ignite Amps on an upcoming exciting something which we all cannot wait to reveal. We're currently doing final touches before this gets announced and becomes available for ordering!

I'll leave you with a few shots that make my mess of a workspace look hawt.

Hadi

Discover YOUR Musicianship

One of the main things that definitely set things in motion for me as a musician is coming to an understanding of who I am as a musician; the solid yet dynamic definition that sets the stage to channel all the hard work into a unified path and opens up the gates for even further dedication.

The trick behind this deal is the simple reality that when you know and understand what you're all about (or plan to be all about) as a musician you develop this tunnel vision giving you that focal point and an edge in which this new found dedication becomes all you know, all you think about, and all you look forward to. It almost (or very much so) turns into an obsession where all the hard work involved with getting it done becomes a very light task and you find yourself able to activate your inner genius.

The results of your work and the gratification entailed with watching all the elements align from the work of your very hands is a beautiful and addictive feeling.

Tunnel vision is what it's all about; whether you are a musician, a painter, writer, etc; whatever it is, it's all about the go-getter attitude that automatically goes into positive-haywire mode once you find yourself at peace, knowledge, and full acknowledgement and understanding of what you're on about in that domain.

Talk soon folks,
Hadi

Songwriting: How to Save a Helpless Song / Guide to Pwning Writer's Block

Being a songwriter, you’re going to encounter (sometimes more often than none) quite a few of those songs that are just not really THERE, you know? Songs that while you’re working on them you get that feeling inside telling you this is going down a different direction; bad different that is.

As difficult as it may be to really make a decision on keeping/pulling the plug on a song , a lot of things are worth considering. Check it out:

1. Is this song hopeless? 
2. If not ENTIRELY hopeless, where is the song taking a dive into obscurity? 
3. Is this song much too far from what is originally intended and you’d like to reapproach the original idea from scratch? 
4. If yes and you’d like to start from scratch, what are some of those riffs/bits that you’d like to preserve and use in future songs (if not the re-approached version even) 

As a budding songwriter I can tell you it’s quite difficult to let a song go, lots of hard work go into those. BUT hard work isn’t always pleasurably audible.

Let’s examine the above points in the bullets section…

IS THIS SONG HOPELESS?

I don’t mean this as a “Do you feel helpless about this song?”, this question is directed to the song itself (musician therapy posts may come later, I know I need those! Haha).

I’ll tell you this, I don’t think any song is hopeless. If you’ve got a couple taste riffs down with a basic structure in mind, any song can be saved. But you gotta be ready to throw some hard work down the bin, once again it’s important to note that songs aren’t measured by the hard work put into writing them but merely by how appealing they sound, I assure you that some of those big hits we’ve listened to for years might have been a spree-of-the-moment type songs, the raw factor in those is usually what makes them so electric to listen to.

DICOVERING WHERE YOUR SONG IS TAKING A DIVE INTO OBSCURITY

Listen to your song over and over from the beginning while doing nothing else, just listen to it and feel it out. Tune in to that feeling where you start to truly realize when and where the song just strays off the true essence that the rest of the song is conveying. This is not an easy step, but it’s not hard either; figure out when the song stops being fun to listen to, that’s usually where you need to take a closer look.

EXAMPLES OF WHY YOUR SONG IS TAKING A DIP AT THAT PARTICULAR MOMENT

This could be one of many, or a combination of a few things. Check out the below possibilities and examine those against your song:

• Too much repetition 
• Dangerously progressive; in a sense that it feels like you just started a completely new song with no relevance to the main one 
• Uninspired riff 
• An “Awesome” riff that you are trying really hard to throw into the song, but it’s leading to a bottle neck situation where it’s not fitting into any upcoming transitions 
• Maybe you need to rediscover this song’s true essence, it’s very possible that you are now inspired to write something completely different (What I usually like to do is, if something has inspired me to write in a certain direction, I don’t allow myself to explore any other source of inspiration until I’ve finished working on what I’m inspired to do. Mixing different sources of inspiration can be damaging as it’ll stray you off and divide your work’s essence into different feels that don’t complement each other) 

Those are just some of the things that are worth considering and that I’ve personally came across, the reasons could be much too many!

SIDE NOTE: THE DANGERS OF HAVING AN AWESOME RIFF

I hate those awesome riffs that get stuck in your head, and personally try to avoid them as best as I can. Here’s how I think about it:

A riff, no matter how great or bad, is meaningless unless placed in the right place and the right time within a song. What is an IMMENSELY amazing riff in standalone, could be the weakest link in your song; as on the contrary, the most uninteresting riff in standalone could be your game changer in a song, think about it.

ONCE YOU’VE FOUND THE WEAKEST LINK…

Once you’ve found your song’s current weakest link, get rid of it and just start writing from that leaves you off. This approach usually leaves me happy by the end of the songwriting process.

Above all, make sure you’re having fun, not rushing, and keeping it genuine. You should be able to enjoy the song with no regrets by the time it’s done.

Talk soon

Hadi

Album Blueprints: How Many Cylinders Are You Firing On?

I remember having a conversation with Sajid ‘Sarj’ Masood, Benevolent’s co-producer, (and one of the main factors that brought our sound to the shape that it came out through); we basically were talking about the upcoming Benevolent album and this was way early on in the writing process, months and months ago, and the idea of having a “blueprint” for the album came about. This would basically be like a rough mission statement of what we would like to achieve from the album as far as what elements are coming into play, and I believe this has truly served the write process well and definitely put things into perspective.

This was a great thing for me to have personally because I’m always anxious and stressing about the very little details going into the album’s writing process and what elements the songs are entertaining; is it too much? Is it too little? Is it just about right?

When we sat down and figured out a rough blueprint for the upcoming record it changed the game plan positively because I felt like I was writing with more purpose, I was writing songs for them to be included on the record instead of writing songs off the fly with little perspective or vision as far as how they serve the big picture of the album’s sound.

I remember us doing something similar unconsciously during the Divided EP sessions where Sarj came up and said “Alright, you’ve got a couple songs that have this specific feel; now you need another song that sounds a bit on that other send of your style and push things in that direction.” The best part of it all is that I find myself getting super inspired by things that those around me are saying about the music I’m writing, so it makes me consider things from a very broad view; although, I think a musician is truly able to get as close as possible to listen to his/her music for what it really is, rather than be stuck in a bubble thinking it sounds a certain way, much kudos go out to that person!

Keep producing!
Hadi

It's happening!

Hey guys!

So we [Benevolent] are getting ready to start tracking the new album, the final collection of songs going into the production is a fine mix of hard-hitting, melancholy, and progressive songs with lots of chugging and shimmering melodies; I CAN’T WAIT!

Basically, what’s going to happen is we’re going to get on with tracking down the bass to scratch MIDI drums. I really can’t wait to get down to designing the bass tone and getting on with tracking things up, I think the guys are gonna rip through this album and it’s going to be a very fun experience.

I am pretty sure we’re going to be experimenting with some of the song structure when need be, in addition to adding up some more enticing layers than there already is. It’s a whole lot like cooking, you’ve gotta have the right ingredients in there, but even with the right ingredients there has to be a control as to not have that stuff on there with an overload.

We’re going to start with the song with the working title of PODISBACK, which actually is probably my favorite song on the record right now. It’s as heavy as Chuck Norris’s beard and has a very cool overall drive with lots of textures and an interesting dreamy selection of sounds.

So yea, we start with tracking the bass, and then get on with doing guitars; while simultaneously working on the preproduction work for the vocal bits. It’s exciting, we’re nervous and excited!

STAY TUNED!!!!

Hadi

Interview on Metal Music Production - Talking Divided EP's production

Hey guys!

Here's a really extensive interview talking about the production process of Divided EP with lots of info on gear and what not! It's pretty cool!

http://metalmusicproduction.com/?p=162

Cheers,
Hadi

Enjoyable Music & Inspirational Music: Are they the same?

I’ve been analyzing the patterns in which I listen to music and how different genres/styles make me feel during and after. My self-analysis of listening patterns has made me realize that I tend to categorize music into two main sections:

1. Enjoyable: Music that I listen to just for what it is, enjoy it, sing along, unwind to!

2. Inspirational: Music that acts as the catalyst to a complex chemical reaction eventually leading to anxiousness and self-inflicted violence if I don’t grab a Guitar, plug into Logic, load up Superior Drummer, and get to work!

So, what sets apart the two categories?

I guess that there are certain genres and styles that I listen to that don’t start a fire on the creative side of my brain, just for the sake of unwinding and to really capture the absolute listening experience that the song was intended to disperse (for example: acoustic rock, radio hits, etc). With such genres I find myself just at ease while listening, good music for driving, walking, post-work hours unwinding time; you know? Just music for the fun of it!

On the other end of the spectrum are genres and bands that, when I am listening to, give me a sensation of being injected with some sort of a substance that leaves me in a state where I just need to get a hold of a guitar right that second and start working on new song ideas. It’s an instantaneous sensation; actually, I don’t really go through an entire discography of a band to have to get the creative goggles on.

To be fair, there always is as cross-over period of time where the Enjoyable songs spark an inspiration and other times (lots of times) where the Inspirational songs are just being tuned to strictly for the fun of listening to them. I guess it also depends on what time of the year it is, am I working on new material at the time when I’m tuning in to the Inspirational songs? Am I opening doors for inspirational ideas to be absorbed?

The truth is, if you’re ever inspired about and toward something, you can never turn that inspiration on and even if you’re unaware that an absorption is taking place your senses may very well be soaking up a little of all the things that you are exposed to, be it music, art, movies, something you read, or whatever it may that triggers your senses.

Finally, here’s a list of bands that to me belong to each of the afore-mentioned categories. (Note that INSPIRATIONAL bands are REALLY ENJOYABLE too!)

ENJOYABLE	INSPIRATIONAL
Spock’s Beard Transatlantic Neal Morse Evanescence Adele Coldplay Woods of Ypres A Perfect Circle Muse Metallica Maroon 5 Katatonia* Kamelot Creed Alter Bridge* Linkin Park* Breaking Benjamin* Guns N Roses …LIST GOES ON…	Meshuggah Dream Theater Scar Symmetry Opeth Symphony X Lamb of God Stealing Axion Linkin Park* Killswitch Engage Katatonia* Metallica Fear Factory Deftones Alter Bridge* Breaking Benjamin* Porcupine Tree …LIST GOES ON…

*indicates bands that are on both sides 

Talk soon!

Hadi

My Method and Approach to Polyrhythms

Explaining Benevolent’s songs ‘Purgatory’ & ‘The Quantum Paradox’ 

So I wanted to write his one up for a while, the songs ‘Purgatory’ and ‘The Quantum Paradox’ off of Benevolent’s debut EP ‘Divided’ have a few of my favorite moments to play live, and those are the polyrhythmic bits where there’s an oscillation of two beats on top of each other (which is what a polyrhythmic beat is) and resolving together towards the end of the overall pattern. 

So let’s start with the basics, what does the term polyrhythm mean? 


A polyrhythm is when you have more than one rhythm on top of each other being played simultaneously. Though lots of instruments can contribute to a polyrhythm, the drums are what really set it apart and put it to the groove. Commonly in metal, you’d find drummers following the guitar pattern with the kick drum, that oscillating around straightforward cymbal work and with the snares sitting on regular 4/4 patterns. 

Let’s get into how those this was utilized in the songs PURGATORY and THE QUANTUM PARADOX; 

Purgatory 


The song Purgatory’s polyrhythm section takes place at 00:27, and is based on a very simple pattern in 10/16 (or 5/8) looping (or oscillating) over a 4/4 measure. The pattern is as follows: 

Notes explanation:

TWO 16th – ONE 16th REST – TWO 16th – ONE 16th REST – THREE 16th – ONE 16th REST

In simple, 2/2/3 (add a rest in between each note)

TIP:

How did I know it is a 10/16?

SIMPLE: We’re playing 16th notes over bpm 160. SO let’s count the number of notes based on that little breakdown I added up:

2 + 1 + 2 + 1 + 3 + 1 = 10

As you can see, the pattern on takes up 10/16 of a 4/4 beat.

So, what creates that cool groovy poly sound?

It’s pretty simple, in a complicated way; basically if the drums were playing a 5/8 beat over the 5/8 pattern then the entire band would be doing the same exact rhythm and that is no longer considered a polyrhythm. The simple fact that the drummer is entertaining a 4/4 feel to the rhythm is exactly what is creating this cool groove, is the rotation of the pattern around the simple 4/4 feel that’s giving it that really interesting mathematical sound.

Note that the pattern is broken up and both drums and guitars are in a synchronized rhythm at the 3rd beat of the 8th bar.

The entire pattern:

The Quantum Paradox

The polyrhythm in the song The Quantum Paradox takes place at 01:26, this one’s based on a little more complicated pattern (And a longer one); pattern is:


Notes Explanation:

THREE 16TH NOTES + ONE 16TH REST + TWO 16TH NOTES + ONE 16TH REST + TWO 16TH NOTES + ONE 16TH REST + FIVE 16TH NOTES + ONE 16TH REST + TWO 16TH NOTES + ONE 16TH REST + TWO 16TH NOTES + ONE 16TH REST

In simple, 3/2/2/5/2/2 (add a rest in between each note)

As you can see, this pattern is in 11/8 (or 22/16).

TIP:

How did I know it is a 22/16?

SIMPLE: We’re playing 16th notes over bpm 160. SO let’s count the number of notes based on that little breakdown I added up:

3 + 1 + 2 + 1 + 2 + 1 + 5 + 1 + 2 + 1 + 2 + 1 = 22

The pattern of 22/16 is, just as in Purgatory, looping and revolving around a 4/4 beat with the cymbals and snares falling exactly where an average-Joe beat would be like!

As explained in the Purgatory example, the oscillation of the two rhythms over each other is resulting in a very interesting mathematical groove.

Note that the pattern is broken and a “resolving” riff is introduced at the 8th bar as to give an indication of the end of this section and the beginning of the next in a more audible sense. (This is good news for us live as well since it allows us to be able to feel when to switch to the next bit together without the need of an accountant on stage) 

The entire pattern:

So, yea

Finally, I hope that this was a helpful little lesson! Hit me up if you’ve got any questions or comments!

I’ll do another piece in the near future on where you can draw inspiration for interesting polyrhythm ideas without overdoing the same feel or repeating your good old ideas.

Hadi

What Inspires You?

Hey guys,

I think one of the most important things about being an artist/musician is knowing what triggers your creative juices and makes you want to unleash some awesome wrath (In case of metal heads) to the universe (Also known as the internet!).

It really is all about being inspired and getting that urge to create something new. This NEW something could be picking up certain vibes that a song reverberates, a feel that a movie gives, or a story that you come across. The very interesting thing about inspiration and using that drive to create new ideas is that the perception in which we enjoy music/other forms of art and the way they move us is different from one person to the other. When two different people look at the same painting, they both may admire it and even get inspired by it BUT that doesn’t mean that they are looking at the very same parts of the paintings, or that they have been moved in the same direction by the art.

I met a jazz musician back in 2006, I was talking scales, modes, and jazz movements with him trying to get some questions answered from a true pro, and he said something that has changed my view towards the concept of inspiration up until this very day; he said “I’ve created my original style of playing and composing by trying to copy my favorite musicians”. Once I’ve placed that sentence in terms of technique, playing style, compositional style, production, and overall sound, it all just made sense because when you’re feeding off the inspiration of your favorite musicians/artists/authors/etc is when the true genius in you comes out.

So what inspires ME personally?

Here’s what gets my creative juices flowing (with specific examples):

1.       Live concert videos

I wrote the song “Haunting Shores” immediately after watching Arch Enemy’s “Tyrant of the Rising Sun” concert DVD. I just couldn’t not write music after watching such an intense, intricate, and raw live performance.

2.       Performing live / Going to live shows

Watching Zygnema’s live set at Metal Asylum Festival 2011, and performing up on stage just got me so inspired. I remember going to bed at 5 am after the show and waking up at 8 am, starting up my laptop and getting right to writing a new song! Hats off to all the other bands from the show!

3.       Behind the scenes footage of bands (preparing for shows / on the road / etc)

I guess this just boils down to seeing the vibe and psych that bands are in once on the road and with their game faces on.

4.       Drums playthroughs

Watching videos of really technical and groovy drummers on YouTube really just sets me into the groove to riff up some ideas! A lot of the times when I write music it all just starts with the drum beat, whether it is a fast beat, a triplet gallop one, or a polyrhythm, the drums are usually the first to be placed into the DAW

5.       Horror movies

Due to the fact that I enjoy working with so much background textures and haunting sound effects, horror movies really do set me in the right direction for that!

6.       Guitar playthroughs

This one is pretty basic since I’m a guitarist mainly. Though I find myself uninspired by virtuoso playing (Though I truly appreciate virtuoso players and have been driven by them through my years of playing), due to several reasons, I am more into watching videos of songs with very interesting structures and rhythmic phrases, that stuff is unreal!

Alright folks, I’m off for now! More yapping soon!

Hadi

Songwriting & Production

Hey guys,

Here's my mumble on production and songwriting. 

I guess that the term “production” could mean different things to different bands and projects. To me, and as I refer to it with my good friend Sajid ‘Sarj’ Masood (Co-producer of Benevolent’s Divided EP), production is basically that part of the song’s life where the structure, the sounds, the textures, and all the “coloring” of the song happens.

It really is the most important aspect of a song’s life; it could take a song from being the most intuitive tune to being the most monotonous one. I find that for the most part we tend to enjoy songs because of their production more than anything. A true testament to that is the fact that so much pop music is based on similar chord progressions and what not, but the differentiating factor here is the choice of sounds, twists in structure, and the addition of an original ‘hook’ that ties the listener in to the song. (P.S: The whole ‘hook’ thing shouldn’t be taken as a must for every song; the songs that you intend to use as “promo” material for your band could use a memorable ‘hook’ but don’t fret on about making a Lady Gaga hit out of every song. I actually find songs with ‘hooks’ that catch on quick to have a short lifespan in your audience’s playlists. Easy come. Easy go)

How I approach songwriting and production

To give more info about how I approach the whole production process and it’s importance, here’s how I work (you’ll find that the entire songwriting process is built on the production aspect): Here are the steps in simple with explanation:

1. Get inspired

The first and most important step is to get inspired; what kind of song do you want to write? What sort of texture do you have in mind? What do you intend to have people feel when they listen to it? Do you have an existing lyric which could help inspire you?

Tips: Listen to a band that gets your creative juices flowing. Don’t be afraid that you might rip them off, the key word here is “CREATIVE JUICES” which means this music makes you want to create something of your own, in that similar feel.

2. Start up a recording session on your DAW (Digital Audio Workstation)

What this step will allow you to do is to write songs instead of riffs, you have the recording software ready with all your plugins sitting right there in front of you and what you’re doing is writing a song from it’s very beginning to it’s very end.

I tried guitar tablatures before and they may work for many musicians, but I find them rather stale and often lead to writers block. The idea of having the ability to track and record your ideas down immediately is that you’ll be able to come up with the most organic feel to a song. And you’ll feel whether or not it’s working because you’re playing it as you go. PLUS, recording on a frequent level will keep you in shape as a musician, so come studio-time you’ll have the A game on.

3. Get to know your song

This is another crucial and interesting step. At this stage you’ve already got some riffs down; explore the feel of the song and just let it flow. I like to think that I’m letting the songs write themselves.

One more important thing, be ready to delete your most favorite riff in the song because sometimes we are under the illusion that some riffs are the IT factor in a song, when in reality they are causing more damage out of forced misplacement. It’s usually pretty difficult to delete a certain riff, BUT my indicator to doing that is when I try for days to continue a song off a certain riff and it’s not working, so I just lose the loose end that’s causing inspirational draught in the song.

4. Keep the structure inspiring

This part is straight to the point; don’t be afraid of trying things that you haven’t heard in other songs. Remember that the only limitation here is “Does it sound good?”

There’s no wrong or right; I even tend to forget all about the music theory I’ve learnt when writing songs (This works well for metal mostly, I’d be careful in other styles of letting go of theory).

5. Layers, textures, and colors

Add color to your song; listen to some of your favorite songs and tune into the sounds that you don’t necessarily listen to primarily but they are there in the song and subconsciously making you enjoy the song even more.

Those could be simple things like:

a. Guitar feedback crescendos leading to a heightened part

b. Drone effects in the background

c. Synths and pads

d. Orchestral sounds and choirs

e. Innovation in adding new guitar tones in repeated verses to add new elements for the listener to enjoy

f. ETC

6. Have fun, get it done, and write more songs

Once you’ve found your muse and a comfortable methodology of writing songs, recording them, and producing them, you’ll find yourself swimming in a sea of inspiration where you’re not sure how to start; the good news is, this inspiration is the most beautiful thing a musician can experience so make sure you are listening/watching bands (and even movies) that make you want to express something musically and don’t be afraid of discovering new things.

Most of all, make sure you’re having a good time writing songs. Your audience can hear your inspired organic take on your songs and will surely feel the connection that you have with your produced songs.

Feel free to shoot me a line if you’ve got some questions!

Happy writing!

Hadi